论原作之隐形

摘要：翻译文学创作过程中的“原作之隐形”或“译作之不忠”现象一直是中国译界研究的敏感区域。本文作者试图以勒菲弗尔的“三要素”论来分析这一隐形现象存在的必然性，从文化的角度阐述了隐形与译者地位、隐形与翻译学科建设以及隐形与翻译评介的关系。

要害词：隐形；诗学；意识形态；赞助人；翻译文学；关系

Abstract: The author’s invisibility, or the unfaithfulness of translated literature, has always been a controversial topic in translation studies in China. Why is the translator dissatisfied with the “formal equivalence” between words from different cultures? Under what circumstances will the author of the source text be invisible? What is the relationship between the author’s invisibility and the translator’s visibility? From a cultural perspective, how does the notion of invisibility affect the development of translation studies and the pursuit of translation criticism? The author attempts to find answers to these questions by employing a theoretical framework based on Andre Lefevere’s views on the influence of poetics, ideology and patronage on the production on the production of translation.